Music for cello and electronics produced while Judith Hamann was in lockdown on the island of Suomenlinna in Finland. Judith Hamann’s residency was part of the Helsinki International Artist Programme, and was supported by the Australia Council for the Arts. One of Another Timbre's quarantine commissions during the Covid epidemic.  

1  'Lark'   (2014/2019)     9:14
Apartment House

1 - ‘Cosmographia’  (2018)   18:42
Vasilis Liolios  psaltery,   Stefanos Papadimitiou  viola,   
Iorgos Petropoulos   viola,    Dimitris Stefanou  viola & violin,   
Margarita Kapagiannidou  clarinet,  Yiannis Tsirikoglou  Max/MSP

Part One   23:09
Part Two   21:58

“At the premiere I remember thinking the opening was one of the most dreamy things I’d heard in ages. But I’d forgotten just how many more sweetly sad worlds the rest of the work carries us to. New music does not get more lovable than ‘good day good day bad day bad day’. It’s a piece you want to hug. A sweet-hearted hypnagogic gem from one of the young masters of the sadboi school.”    Igor Toronyi-Lalic

MONUMENT OF DIAMONDS (2020)   42’

Mara Winter - flute, Clara de Asís - bowed objects, percussion & electronics

1  Palestrina   (Christoph Schiller)     17.00
2  Cartes no.3   (Christoph Schiller)     11.22
3  Hyazo    (Cyril Bondi)    24.21

1 - ‘Ad ora incerta’ for orchestra   (2018)     10:14
     Orchestra del Teatro Comunale di Bologna, cond. Tonino Battista
     Live recording from the AngelicA Festival 2018 

Skogen:
Magnus Granberg - prepared piano & composition
Ko Ishikawa - sho
Anna Lindal - violin
Leo Svensson Sander - cello
Simon Allen - vibraphone
Erik Carlsson - percussion
Henrik Olsson - objects
Petter Wästberg - contact microphone, mixing board, loudspeaker

1.  ‘Für Biliana’ (2015)  Biliana Voutchkova, violin   

A 52-minute piece jointly composed and performed by:
Angharad Davies (violin), Klaus Lang (harmonium) and Anton Lukoszevieze (cello)

1 - june 26th                       14:09

Two long pieces , one each by both of the musicians. 
JPA Falzone: piano & vibraphone
Morgan Evans-Weiler: violin

Blutwurst:
Cristina Abati (viola)   Marco Baldini (trumpet)   Maurizio Constantini (double bass)
Daniela Fantechi (accordion)   Michele Lanzini (cello)   Edoardo Ricci (bass clarinet)
Luisa Santacesaria (harmonium)

1 - A QUARTET FOR FRANCOIS MORELLET  (2012)   8:10

Octandre Ensemble, conductor Jon Hargreaves

1       Mother, Child and Violin   (2005)             6:02
        Juliet Fraser (soprano) Layla (child vocalist) Janneke van Prooijen (violin)

1 - 2 Kvarteto (2015/17)     10:37    
Apartment House:    Anton Lukoszevieze (cello)  Mira Benjamin (violin)  
Heather Roche (clarinet)     Philip Thomas (piano)  

1 If your tooth hurts, it hurts the same - version 1     8:30
2 stay in the background    9:53
3 horse   1:25
4 a sense of coming back - version 1   9:45
5 I see everything as a failure   13:31
6 marble   1:28
7 I’m just so-so  (for Iwo)   3:36
8 these very people   8:29
9 sugar cube   1:31
10 a sense of coming back - version 2   5:06
11 If your tooth hurts, it hurts the same - version 2   10:36