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>at146
Ryoko Akama
Dial 45-21-951 If your tooth hurts, it hurts the same - version 1 8:30
2 stay in the background 9:53
3 horse 1:25
4 a sense of coming back - version 1 9:45
5 I see everything as a failure 13:31
6 marble 1:28
7 I’m just so-so (for Iwo) 3:36
8 these very people 8:29
9 sugar cube 1:31
10 a sense of coming back - version 2 5:06
11 If your tooth hurts, it hurts the same - version 2 10:36 -
>at138
Magnus Granberg
Nun, es wird nicht weit mehr gehnSkogen:
Anna Lindal & Angharad Davies - violin
Leo Svensson Sander - cello
Erik Carlsson - percussion
John Eriksson - vibraphone
Henrik Olsson - persussion, objects
Petter Wästberg - contact microphones, mixing board
d’incise - electronics, objects
Magnus Granberg - prepared piano -
>at135
Klas Lang & Golden Fur
BeisselAustrian composer Klaus Lang and the ensemble Golden Fur re-imagine the unusual musical world of the eighteenth century Baptist leader Johann Conrad Beissel. Beissel was devoutly religious, and, coming to the USA from Germany in 1730, founded a Utopian religious community in Pennsylvania, for whom he wrote a huge amount of church music. He developed his own compositional system which he said was given to him by angels, and which has been described as a very early pre-cursor of serialism.
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>at134
Morgan Evans-Weller & Michael Pisaro
Lines and Tracings1 Michael Pisaro ‘Helligkeit, die Tiefe hatte, nicht keine Fläche’ (2016) 30:22 Ordinary Affects: Morgan-Evans Weiler, violin Luke Martin, sine tones
Michael Rosenstein, electronics Vic Rawlings, prepared cello
Katie Porter, bass clarinet JPA Falzone, vibraphone Laura Cetilia, cello